"A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They're polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses,broke, and bogged down with writer's block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She'll take him on field trips worthy of any rom-com montage, and he'll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. But as the summer stretches on, January discovers a gaping plot hole in the story she's been telling herself about her own life, and begins to wonder what other things she might have gotten wrong, including her ideas about the man next door"-- - (Baker & Taylor)

An acclaimed but blocked literary master and a best-selling novelist who has stopped believing in true love agree to a summer-long writing project that challenges them write well in each others’ styles. Original. - (Baker & Taylor)

FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION AND BOOK LOVERS!

A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters.

Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.

They’re polar opposites.

In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block.

Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really. - (Penguin Putnam)

Emily Henry is the #1 New York Times bestselling author of People We Meet on Vacation and Beach Read. She studied creative writing at Hope College, and now spends most of her time in Cincinnati, Ohio, and the part of Kentucky just beneath it. Find her on Instagram @emilyhenrywrites. - (Penguin Putnam)

Booklist Reviews

While romance author January Andrews is staying, temporarily, at her recently deceased father's secret beach house, she's stunned to realize that her neighbor is Augustus Everett, her graduate school nemesis turned hotshot author of bleak literary fiction. Although she has a fast-approaching deadline, January is struggling to write a new happily ever after story when her own heart is broken. Augustus is in research mode for his next book, interviewing people about a suicide cult. One night, the two make a deal to each write the next book in the other's genre. To prepare, Augustus will bring January along for his research, and she'll take him on outings that inspire romance. They find pleasure in this work and even more in each other. But when their books are finished, and summer is over, will their story end, too, or is this only the beginning? Though a bit uneven, this will still sweep readers off their feet. January's first-person narration is suitably poetic and effervescent, the small-town beach setting is charming, and the romance is achingly swoony. Copyright 2020 Booklist Reviews.

BookPage Reviews

The Hold List: Best of the bestsellers

At BookPage HQ, we look at books months before they're published. So it's always a delight when something we adored finally hits shelves, and everyone else falls just as head-over-heels in love with it as we did. Here are five recent blockbusters whose climbs up the charts made us cheer.

Mexican Gothic

I have long lamented the waning of the gothic novel. We as a society need more women running around crumbling hallways in giant ballgowns, gripping candelabras as they uncover hideous family secrets. Even if Silvia Moreno-Garcia's novel doesn't kick-start a whole new wave of romantically moody thrillers (though it certainly should), I'm delighted that its success catapulted its very deserving author onto the bestseller lists. Putting a unique and elegant stamp on a genre is Moreno-Garcia's signature move. She's written what she called a "fantasy of manners" with The Beautiful Ones and a Jazz Age coming-of-age novel that incorporated Mayan mythology in Gods of Jade and Shadow. So of course her gothic heroine isn't a timid wallflower. Noemí Taboada is a headstrong and glamorous socialite whose foibles and inner demons make her as interesting as she is heroic. And the ending? Let's just say it would blow Daphne du Maurier's hair back. 

—Savanna, Associate Editor 

Just as I Am 

Perspective is a tricky thing to hold onto—the present moment with all its immediate concerns sure makes a lot of noise—but a thoughtful memoir of a long and well-lived life can help you find your center. Cicely Tyson's autobiography came out earlier this year, two days before the author's death, and quickly hit bestseller lists. It's more than a recounting of Tyson's life as a groundbreaking actor, producer and activist; it's also an examination of how a person can use their gifts to make a difference and the mindset required to act on that goal. Co-written with Michelle Burford, a founding editor of O, The Oprah Magazine, the memoir is structured chronologically from Tyson's childhood to later years, revealing how her rise as an actor led to a singular purpose: to use her art "as a force for good, as a place from which to display the full spectrum of our humanity." Because, as she writes, art must "mirror the times and propel them forward." 

—Cat, Deputy Editor

Catch and Kill 

The world has had more than its fair share of breaking news this past year, so it feels somewhat nostalgic to revisit newsworthy reporting from the bygone era of 2019. Ronan Farrow's explosively investigated book Catch and Kill delivers on every one of its subtitle's promises: "lies, spies and a conspiracy to protect predators." As journalist Farrow began looking into decades of allegations against film producer Harvey Weinstein, ranging from verbal harassment to sexual abuse, his life began to get tricky. His employer, NBC, got more and more antsy about the story. He received a rash of threatening anonymous messages on Instagram. And through it all, he had the distinct feeling that he was being followed. This book's pacing is breathless, the twists increasingly twisty. At times it reads like a spy thriller, except better—because by the end of this electric story, real women who have suffered in silence for years are finally heard, believed and vindicated. 

—Christy, Associate Editor 

The Poet X 

Once in a blue moon, a YA book earns universal critical acclaim and achieves great commercial success. The Poet X, Elizabeth Acevedo's debut novel in verse, was one such book. It won just about every award that exists to honor YA literature, including the National Book Award and the Michael L. Printz Award, and spent more than 20 weeks on the New York Times bestseller list. You'll understand why as soon as you begin reading it. The story of Xiomara, a Dominican American teen who discovers the light of poetry burning within her and reckons with the forces in her life that would see it extinguished, will set your heart on fire. I especially recommend the audiobook for your first read, since Acevedo's narration draws out the meter and musicality of her accessible, conversational verses. I'm usually wary of sweeping statements, but in this case, one is merited: The Poet X is a perfect book that everyone should read. 

—Stephanie, Associate Editor 

Beach Read 

I picked up Emily Henry's Beach Read last spring, in the early days of the COVID-19 pandemic. With no travel plans on the horizon, a vicarious getaway to the shores of Lake Michigan was appealing, and during what were repeatedly referred to as "uncertain times," the anticipated beats of a rom-com sounded especially soothing. Why not read about two authors trying out each other's genres to beat writer's block, and reluctantly falling in love? Beach Read hit these marks and then surpassed them to become one of my favorite types of reading experiences: a diversion with depth. The screwball vibe and snappy dialogue I had been looking for are there on the page. But as Augustus and January slowly open up to one another, the lighter threads of the story are woven into an honest exploration of grief, trust and the healing power of art. It's a connection-affirming, generous novel that deserves its status as a word-of-mouth bestseller. 

—Trisha, Publisher

Kirkus Reviews

Two struggling authors spend the summer writing and falling in love in a quaint beach town. January Andrews has just arrived in the small town of North Bear Shores with some serious baggage. Her father has been dead for a year, but she still hasn't come to terms with what she found out at his funeral—he had been cheating on her mother for years. January plans to spend the summer cleaning out and selling the house her father and "That Woman" lived in together. But she's also a down-on-her-luck author facing writer's block, and she no longer believes in the happily-ever-after she's made the benchmark of her work. Her steadily dwindling bank account, though, is a daily reminder that she must sell her next book, and fast. Serendipitously, she discovers that her new next-door neighbor is Augustus Everett, the darling of the literary fiction set and her former college rival/crush. Gus also happens to be struggling with his next book (and some serious trauma that unfolds throughout the novel). Though the two get off to a rocky start, they soon make a bet: Gus will tr y to write a romance novel, and January will attempt "bleak literary fiction." They spend the summer teaching each other the art of their own genres—January takes Gus on a romantic outing to the local carnival; Gus takes January to the burned-down remains of a former cult—and they both process their own grief, loss, and trauma through this experiment. There are more than enough steamy scenes to sustain the slow-burn romance, and smart commentary on the placement and purpose of "women's fiction" joins with crucial conversations about mental health to add multiple intriguing layers to the plot. A heartfelt look at taking second chances, in life and in love. Copyright Kirkus 2020 Kirkus/BPI Communications. All rights reserved.

Publishers Weekly Reviews

Henry (Hello Girls) hits all the right notes with this clever, compassionate contemporary romance. January Andrews, a 29-year-old romance author, has always believed in happily-ever-after. Then her father dies and she inherits his secret lake house in North Bear Shores, Mich., and discovers his long-standing extramarital affair. Broke and suffering from writer's block, January's moves into the "lakeside cottage brimming with charm and proof your father was an asshole and your life has been a lie." Her new next-door neighbor is Augustus Everett, the tortured darling of the literary fiction world. Their contentious front-porch chats lead them to construct a challenge: they'll each spend the summer writing a novel in the other's genre, giving one another tutorials in their respective approaches and going on research trips together. Whoever finishes and sells their book first, wins. January's struggle to reconcile her inherent optimism with the recent upheaval in her life is thoroughly convincing and handled with empathy. Her and Augustus's path from writing partners to friends to lovers is a constant delight and the inevitable third act communication issues are deeply rooted in the characters' psychology, making them believable and fresh. Readers are sure to fall hard for this meta, heartfelt take on the romance genre. Agent: Taylor Haggerty, Root Literary. (May)